[INDOLOGY] suicide as a result of love
dermot at grevatt.force9.co.uk
dermot at grevatt.force9.co.uk
Mon Jun 6 17:12:07 UTC 2016
Dear Philipp,
Thank you for the correction: the suicide motif is not in the Purnabhadra version.
Dermot
On 6 Jun 2016 at 12:46, Klaus Karttunen wrote:
Dear all,
in Hara's Ratnavali Sagarika - sure that her love to the king is unsuccesful - will hang
herself, but luckily the king arrives in time and saves her. There are certainly many other
examples.
Best,
Klaus
Klaus Karttunen
South Asian and Indoeuropean Studies
Asian and African Studies, Department of World Cultures
PL 59 (Unioninkatu 38 B)
00014 University of Helsinki, FINLAND
Tel +358-(0)2941 4482418
Fax +358-(0)2941 22094
Klaus.Karttunen at helsinki.fi
On 06 Jun 2016, at 11:50, Philipp Maas <philipp.a.maas at gmail.com> wrote:
Dear Dermot and all,
The story of the "Weaver as Viu" occurs indeed in
Purnabhadra's recension of the Patañcatntra as well as in the
exemplar of this recension, the so-called textus simplicior.
Purnabhadra censored the narrative strongly from the
perspective of conservative smarta-Hinduism and left out the
motive of suicide out of desire for the princess, which,
accordingly only occurs in the textus simplicior.
For a more comprehensive analysis of the two versions of the
narrative see my "On Discourses of Dharma and the
Pañcatantra." Wiener Zeitschrift für die Kunde Südasiens 55
(2013-2014), p. 5-31, of which you find a pre-print draft
version here.
Best wishes,
Philipp
2016-06-06 10:09 GMT+02:00 <dermot at grevatt.force9.co.uk>:
In Purnabhadra's version of the Pancatantra (ed. Hertel 1908 pp. 46-55; tr. A.W.
Ryder 1956,
pp. 89-104), a weaver falls in love with a princess, swoons, then resolves on
suicide by fire.
He is saved by his friend, a chariot-builder or carpenter (rathakAra), who
promises to use his
skill to effect a union, and is spectacularly successful. It's a wonderful story,
involving sex,
politics, and religion.
This is a mock-heroic example: the motif of suicidal despair resulting from love at
first sight,
which is expected of exalted characters, is transferred to a man of low degree.
Dermot
On 6 Jun 2016 at 8:51, Andrew Ollett wrote:
I have the feeling that this is a relatively common motif in story literature. The one
example
that comes to mind is the Prakrit verse romance Lilavati, in which one of the
characters
(Kuvalayavali) has a "gandharva" wedding with a Gandharva (Citragada), and
when her
father finds out and curses them, she is so overcome with shame that she tries to
hang
herself from a tree. She is stopped at the last moment by her mother Rambha.
This is around
v. 658 in A.N. Upadhye's edition.
On Mon, Jun 6, 2016 at 8:25 AM, Alex Watson <alex.watson at ashoka.edu.in>
wrote:
Dear List Members
A colleague, Madhavi Menon, who is writing a book entitled 'A History of Desire in
India', has asked me the following question. All help appreciated; I will forward
your
responses to her.
"Are there any narratives in Sanskrit/Buddhist literature/philosophy/history that
talk
about suicide, or atma-hatya, specifically in relation to love and desire?"
Yours Alex
--
Alex Watson
Professor of Indian Philosophy
Ashoka University
https://ashokauniversity.academia.edu/AlexWatson
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Dr. Philipp A. Maas
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Institut für Südasien-, Tibet- und Buddhismuskunde
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A-1090 Wien
Österreich
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