s. kalyanaraman's note on 'canal' etyma
s. kalyanaraman
s._kalyanaraman at mail.asiandevbank.org
Tue Feb 14 07:55:16 UTC 1995
Prof. Cordona seems to imply that reliance on etyma is somehow less
definitive than textual quotes. I submit that ancient tongues like
Kuwi or Kui may not boast of a BrhadaaraNyaka Upanishad; but the
lexical evidence in many such languages which constitute the lingua
franca of the sub-continent cannot be dismissed lightly. I agree with
Prof. Cordona that the texts he has cited do lend credence to the
semantics of kulyaa to connote also a canal. I have advanced a general
theory of semantics: in simple terms, this means that, in a social
contract, the morphemes expand in meaning as life experience becomes
richer. Thus, when a kulyaa or a pond is also used as a collecting
point for drawing irrigation canals into the fields, the morpheme
kulyaa could as well have expanded semantically to connote a canal.
The lexicons do attest more than one meaning to the term kulyaa (e.g.
ditch, trench, canal). For e.g., kaDagu, kaDangu also connote a small
channel issuing from a larger one and leading water e.g. to a plantain
tree; a channel, a ditch, a trench (Kannada); but, cf. kaDa to cross,
cross channel cut through ridge of paddy field to let surplus water
run off (Tamil); khaddhaa pit, ditch (Maithili); gaaRa hole (Oriya);
khaaRo pit, bog (Marathi); khaal hollow, gutter, inlet (Punjabi)' xar
hole (Gypsy); gaR ditch, hole in a husking machine (Bengali); garaaD
pit, ditch (Gujarati); khaDDii hole for a weaver's feet (Punjabi).
The point I am making is that when a number of languages spread across
the vast sub-continent attest to a social semantic contract for a
morpheme and enshrine such morphemes in epigraphs, and social usage,
we should pay attention to those alternative morphemes also and not
rely only on 'literary texts'. This is particularly important when we
are dealing with such down-to-earth living issues such as 'irrigation
canals' which may not be all that exciting to literateurs or
philosophers. s.kalyanaraman.
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