Krsna: contested narratives.
S Krishna
mahadevasiva at hotmail.com
Sat Jul 12 01:12:32 UTC 1997
>I am looking for renditions of the K.r.s.na story from outside
>Puranic/Epic/Vaishnava literature (ie from Buddhist, Jain, Shaivite or
any
>other sources).
>Can anyone kindly assist me with any references?
>
>Thanks. Edwin Bryant
I suddenly remembered something that I saw/read about a long time a
long time ago: There is a strong Krishna tradition that originated/
still alive in Bali in Indonesia.
There are plays/dance-dramas in this part of the world which use the
Krishna theme. I remember seeing a dance drama in which there was a
reference to the "burial ground" of Krishna( yes, that was no typo, the
correct word is "burial ground" i.e. this has something to do with
Moslem influence to the best of my belief).
The plot of the drama ran like this: Krishnas grandchildren plan to
visit his "grave". In order to do that, they need to go past the burial
ground where the the graves of Yama and Yami are situated(Yama and Yami,
according to this story are incestuous twins). The spirits of Yama and
Yami enter the bodies of the grandchildren of Krishna. The rest of the
dance drama refers to the moral degeneration of the grandchildren of
Krishna and the eventual destruction of his family and how all efforts
to save them from destruction came to nought.
I realise that this topic/depiction would provoke the wrath of many an
orthodox Hindu, but what I found interesting was the fact that
1. In Hindu texts, there are references to twins called
Yama and Yami, and according to A.L.Basham, they did have an
incestous relationship.
2. There is a very general resemblance between the destruction of the
Yadava race( due to indolence,indulgence and inebriation;I am not sure
as to what other vices they exactly indulged in) and the story of the
destruction of the grandchildren of Krishna in the Indonesian story that
I am refering to.
Of course, there is no text in Hinduism that refers to this particular
incident in the sequence/style in which it was depicted by the
Indonesian troupe.
On the other hand, the differences between the broad outlines of the
corresponding stories in India and Indonesia are:
1. The Indonesian story talks about the death of Krishna as occuring
prior to the destruction of the Yadava race( there is a reference to his
grave); whereas according to the Indian version Krishna was killed
at the same time/shortly after the Yadava race indulged in an orgy of
self-destruction.
2. As pointed out earlier, the concept of "burial ground" is borrowed (
most probably)from Islam, which is plausible, considering that Indonesia
has been Moslem dominated from the 15th century, atleast from the 15th
century. The kingdom in which this occurs is refered to as "Boma",
whereas in the Indian version, all the events are centred around
Dwaraka.
I do remember that the accompanying orchestra was called the "Gammelan"
though I am not sure as to what the dance drama was called. If my memory
serves me correctly, it was called "Nyidrasamhastara".
Hope this helps,
Krishna
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