Danielou and Tamil Musicology
David R. Israel
davidi at wizard.net
Wed Apr 2 13:55:59 UTC 1997
S. Palaniappan --
I'm interested by your remark --
> . . . Since the time [Danielou] produced this book [The
> Ankle Bracelet in translation], there has been considerable
> progress in Tamil musicology. However, due to the separation of
> language studies and music/musicological studies in the present day
> Tamilnadu, one side does not know what is happening on the other
> side. Dr. S. Ramanathan's work in his dissertation on music of
> cilappatikaram at Wesleyan was further advanced by Dr. V. P. K.
> Sundaram currently at Bharatidasan University in Tiruchirappalli.
While not acquainted with this field & its literature, must say I'm a
bit curious abt. the work you mention from the late singer/scholar S.
Ramanathan. Do you happen to know if if Ramanathan's study (or
studies) found their way into print?
So happens, his daughter and son-in-law (Geetha & Frank Bennett) are
long-time acquaintances. Also a footnote: Geetha Ramanathan Bennett
has become somewhat noted as a contemporary vina exponent; -- when
I saw them in LA last spring, there was (for instance) mention of a
concert-tour taking her to Australia, and a recording gig in Germany.
> The 82-year old Dr. Sundaram has cleared many obscurities and errors
> with regard to ancient Tamil musicology . . . . . and clearly
> established the basic musical scale of ancient Tamils as 'cempAlaip
> paN' or present rAga harikAmbodi.
Might you (off hand) be able to identify the Hindustani-system
equivalent raga (supposing that there must be one, at least in terms
of the scale)? Again, this is from simple curiousity ...
> david raphael israel <
>> washington d.c. <<
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