Dear Rembert,
you might have a look at Lyne Bansat-Boudon, Poétique du théatre indien (I can't find the accent circumflex), Indices, p. 488, s.v. garbhāṅka. In my copy of the book, in the margin, I have written Bālarāmāyaṇa III, Uttararāmacarita VII and Priyadarśikā III. 
Herman


Herman Tieken
Stationsweg 58
2515 BP Den Haag
The Netherlands
00 31 (0)70 2208127
website: hermantieken.com

The Aśoka Inscriptions: Analysing a corpus, New Delhi: Primus Books, 2023.
https://primusbooks.com/ancient/the-asoka-inscriptions-analysing-a-corpus-by-herman-tieken/


Van: INDOLOGY <indology-bounces@list.indology.info> namens Rembert Lutjeharms via INDOLOGY <indology@list.indology.info>
Verzonden: vrijdag 15 november 2024 12:06
Aan: indology@list.indology.info <indology@list.indology.info>
Onderwerp: [INDOLOGY] Inset plays / Play within a play
 
Dear colleagues,

I am looking for any scholarly literature on the use of inset plays
(i.e. dramas performed by the characters within a play) in Sanskrit
drama.

I am aware of only two such studies: David Shulman's "Embracing the
subject: Harṣa's play within a play" in Journal of Indian philosophy
25 (1997), and Gerald Carney's "Entering the dynamics of Vaiṣṇava
devotion: the inset play in act III of Kavikarṇapūra's
Caitanyacandrodaya" in Journal of Vaisnava Studies 5.1 (1996-1997).

I would be very grateful for any additional studies you could point me to.

Thank you.

Best wishes,
Rembert

--
Dr. Rembert Lutjeharms
Oxford Centre for Hindu Studies
13-15 Magdalen Street
Oxford OX1 3AE United Kingdom
Tel.: +44 (0)1865 304300

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