Dear Professor Tieken,
The reference to the elongated ear-lobes of a singer (pāṭiṉi பாடினி) is found in lines 29-30 of the porunarāṟṟuppaṭai (பொருநராற்றுப்படை):
மயிர் குறை கருவி மாண்-கடை-அன்ன (mayir kuṟai karuvi māṇ-kaṭai-aṉṉa)
பூங்குழை-ஊசல் பொறை-சால் காதின் (pūṅkuḻai-ūcal poṟai-cāl kātiṉ)
As you can see …
Scissors is referred to as மயிர் குறை கருவி ‘tool/instrument that trims the hair.'
The handle of the scissors is மாண்-கடை ‘large/big base.’
[my apologies … I’m too close to Tamil that I haven’t developed the skills for translation!]
++++++++++
The next reference is to kaṇṇaki (கண்ணகி) in the சிலப்பதிகாரம் (4:51)
When her husband கோவலன் (kōvalaṉ) left her for mātavi (மாதவி), kaṇṇaki (கண்ணகி) was deeply depressed and didn't adorn herself with her usual ornaments.
At that time she is described as
கொடுங்குழை துறந்து வடிந்து வீழ் காதினள்
++++++++++
Later literary / social references are available. Unfortunately, my computer isn’t cooperating for scanning and imaging the modern references.
++++++++++
Regards,
rajam
Dear Rajam,
do you happen to have a more detailed reference to the Porunarāṟṟuppaṭai passage?Herman
Herman Tieken
Stationsweg 58
2515 BP Den Haag
The Netherlands
Dear Rajam, do you happen to have a more detailed reference to the Porunarāṟṟuppaṭai passage?
Herman
Herman Tieken
Stationsweg 58
2515 BP Den Haag
The Netherlands
Ear-piercing is an age-old tradition in South India and Sri Lanka, which is practiced even now.
Elongating ear lobes IS also a practice in some ethnic groups in South India. It is NOT for renunciation.
The earliest literary attestation we have is from porunarāRRuppadai (பொருநராற்றுப்படை) where a dancing woman (in a group of wandering bards) is described as having elongated ear lobes; her ears are compared to the handle of a scissors. I may not be using the right term, sorry.
So … I think it must have been a pan-indic practice to grow long ear lobes.
Regards,
rajam
A very rich collection of references to the ear is:
Bollée, Willem B., 2010. Remarks on the cultural history of the ear in India. Pp. 141-167 in: Balbir, Nalini (ed.) 2010. Svasti: Essays in honour of Professor Hampa Nagarajaiah for his 75th birthday. Bangalore: K. S. Muddappa Smaraka Trust.
On p. 145 Bollée discusses the form of the ear, starting with “Karṇa ‘Longear’ (?)” and “Vikarṇa ‘With widely extended ears’” … “Long ears are a positive mark of Mahāvīra (…); such people, however, are to be excluded from the sacrifice to the dead.” …
Best wishes for a Happy New Year 2022,
Asko Parpola
If the particular work of art shows a large piercing or rather a hole in the ear, it must intend to communicate that he used to have large and heavy earrings, which he renounced. This does not necessarily mean that his ears were not also naturally pinayata.
_______________________________________________
INDOLOGY mailing list
INDOLOGY@list.indology.infohttps://list.indology.info/mailman/listinfo/indology