Dear Heiner,
As much can be implied in the Arthaśāstra at 2.2.3, which provides rules for establishing the king’s mṛgavana. It is to be provisioned, among other things, with bhagnanakhadaṃṣṭravyāla: various kinds of vicious animals with their claws and fangs broken or removed. Here is the passage from the Kyōto e-text:tāvanmātram ekadvāraṃ khātaguptaṃ svāduphalagulmaguccham akaṇṭakidrumam uttānatoyāśayaṃ dāntamṛgacatuṣpadaṃ bhagnanakhadaṃṣṭravyālaṃ mārgayukahastihastinīkalabhaṃ mṛgavanaṃ vihārārthaṃ rājñaḥ kārayet | sarvātithimṛgaṃ pratyante cānyanmṛgavanaṃ bhūmivaśena vā niveśayet |
Best,Mark
On Aug 10, 2021, at 2:36 AM, Rolf Heinrich Koch via INDOLOGY <indology@list.indology.info> wrote:
Dear listmembers,
I am searching for quotations (preferably in Sanskrit/Pali sources) which clearly describe that for a royal hunting trip the animal to be hunted has been caught beforehand and later released for this royal hunt.
This would be helpful for the interpretation of a picture strip which visualizes the Ālavaka-damana-story according to thr Buddhist commentary literature.
Has any of you stumbled upon such a passage by chance?
Many thanks
Heiner
--
Dr. Rolf Heinrich Koch
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It is creative apperception more than anything else that makes the individual feel that life is worth living. Contrasted with this is a relationship to external reality which is one of compliance, the world and its details being recognized but only as something to be fitted in with or demanding adaptation. Compliance carries with it a sense of futility for the individual and is associated with the idea that nothing matters and that life is not worth living. In a tantalizing way many individuals have experienced just enough creative living to recognize that for most of their time they are living uncreatively, as if caught up in the creativity of someone else, or of a machine.--Donald Winnicott, Playing and Reality