There is also a useful discussion of both Tibetan xylographs and Colonial lithographs vis-a-vis pothī and codex formatting in the following chapter, which also cites Rocher and Rocher's Making of Western Indology, p. 74:

Formigatti, Camillo A. 2016. “A Forgotten Chapter in South Asian Book History? A Bird’s Eye View of Sanskrit Print Culture.” In Tibetan Printing: Comparison, Continuities, and Change, edited by Hildegard Diemberger, Franz-Karl Ehrhard, and Peter Kornicki, 72–134. 

All the best,
Eric

On Tue, May 26, 2020 at 6:08 PM rrocher via INDOLOGY <indology@list.indology.info> wrote:

That was the format of all the early editions of Sanskrit texts published by the Sanskrit Press initiated in Calcutta in 1806 under the aegis of H.T. Colebrooke and managed by his personal librarian Bābūrāma. They have been described as as valuable as incunables.

Rosane Rocher

On 5/26/20 5:37 PM, Harry Spier via INDOLOGY wrote:
Dear list members,

Attached is a picture from the on-line guided lessons for Maurer's "The Sanskrit Language".   It shows a  book with  text  oriented in the book 90 degrees different from the normal orientation in most western books.  I've seen this orienttion in some small devanagari chanting books.  I'm curious how common this orientation is, if it is only used for chanting books or if it is a feature of certain publishers or any other information.

Thanks,
Harry Spier



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--

Eric Gurevitch

PhD Candidate, South Asian Languages and Civilizations and

Committee on Conceptual and Historical Studies of Science

University of Chicago

gurevitch@uchicago.edu