Thanks for the interesting references expanding on the notion of
an ākāśagāmin in immediate textual association with the early Aśvaghoṣa,
and likewise to Dan for reminding me/us of YS 3.42.
Of course, the spiritual metaphors of moving in(to)/within space and doing
so 'auf dem Pfade des Windes' are both ancient and belong together; we just
have to recall the frequently studied Vedic hymn ṚV 10.136.
Thus, considered decontextualized, Vajrasūcī 12 has little force with respect
to revealing much about its historical authorship.
Yet, when stumbling over this verse, its authorship had already been
disconnected from Aśvaghoṣa, the 1st–2nd century CE author, with the
weight of his erudition by Vincent, saying “we might perhaps agree that
the Vajrasūcī is unlikely to have been composed before the 3rd-4th century CE.
I am inclined to believe that it is even younger.” Placing the terminus post quem
into the 3rd-4th century does likewise entail that “the word of caution about
chronology with respect to Manu” as shortly elaborated by Johannes Bronkhorst,
however pertinent for the cases adduced, has rather lost its relevance for
the Vajrasūcī. And having not yet met with the notion of an ākāśagāmin
in the various Buddhist philosophical contexts elaborating their notions of
mārga in the centuries pointed out as the temporal frame for preliminarily
(at the present stage of our knowledge) locating a terminus post quem, the
question of siddhācārya as a marker that distinguishes the Vajrasūcī’s author
Aśvaghoṣa from Aśvaghoṣa, the 1st–2nd century CE author, did assume
suggestive significance. That is, despite the often questionable reliability
of colophons.
Yet, once we hypothetically admit the significance of such a marker to
socially and historically contextualize a siddhācārya Aśvaghoṣa, it is possible
to look at the assertion of Vajrasūcī 12 and try to understand it in the broader
context of how the Buddhists historically have dealt with the ethical problem
of killing animals/sentient beings and enjoying them as food for human beings
(ritually embedded or not). Doing so one may arrive at reasonable results,
which nevertheless remain hypothetical ones, unless additionally backed up.
All the best, Hartmut
> the notion of an *ākāśagāmin*
See also:
Buddhacarita 1.80: [...] pavanapathena yathāgatam jagāma.
Allegorical play (probably by Aśvaghoṣa); description of the eight
ṛdhhi-s of the Buddha: ... (pakṣī)va vyomni yāti ... (ed. Lüders 1911,
p. 66).
Aśvaghoṣa's Śāriputraprakaraṇa : ca vāyoḥ / (Lüders, "Das
Śāriputraprakaraṇa, ein Drama des Aśvaghoṣa", p. 396; n. 4:
"Sicherlich war hier vom Wandeln 'auf dem Pfade des Windes' [...] die
Rede.")
Best,
Roland Steiner
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