The origins of the āryā metre
by
Prof. K.R. Norman
Sharing a snapshot of a page from a bookThe Sants : Studies in a Devotional Tradition of India by W H McLeodIn the footnotes it has a few references that may be usefulThe page is here.On Thu, Sep 19, 2019 at 12:15 PM Tieken, H.J.H. via INDOLOGY <indology@list.indology.info> wrote:_______________________________________________For the dohā, see M. Shahidullah, Les chants mystiques de Kāṇha et de Saraha, pp. 60-66.
Though occasionally rhyme may be found in other, earlier, texts (I remember having read something somewhere about these "predecessors, written by D. Goodall) it has become a systematic feature of Apabhraṃśa texts (folk songs).L. Alsdorf, Apabhraṃśa-Studien. AKM XXII 2, pp. 39-56.
Herman
Herman TiekenStationsweg 582515 BP Den HaagThe Netherlands00 31 (0)70 2208127
website: hermantieken.com
Van: INDOLOGY [indology-bounces@list.indology.info] namens Matthew Kapstein via INDOLOGY [indology@list.indology.info]
Verzonden: donderdag 19 september 2019 0:41
Aan: indology@list.indology.info
Onderwerp: [INDOLOGY] Query on verse forms
Dear friends,
I would be grateful for recommendations of works addressing the manner in which the term gāthā is understood in connection with MIA verse, and analogously on dohā in connection with apabhraMza and NIA verse. I am particularly looking for works dealing with formal features including meter, rhyme etc.
with thanks in advance,Matthew
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--Nagaraj PaturiHyderabad, Telangana, INDIA.Director, Inter-Gurukula-University Centre , Indic AcademyBoS, MIT School of Vedic Sciences, Pune, MaharashtraBoS, Chinmaya Vishwavidyapeeth, Veliyanad, KeralaBoS Veda Vijnana Gurukula, Bengaluru.Former Senior Professor of Cultural Studies,FLAME School of Communication and FLAME School of Liberal Education,(Pune, Maharashtra, INDIA )