For the dohā, see M. Shahidullah, Les chants mystiques de Kāṇha et de Saraha, pp. 60-66.

Though occasionally rhyme may be found in other, earlier, texts (I remember having read something somewhere about these "predecessors, written by D. Goodall) it has become a systematic feature of Apabhraṃśa texts (folk songs).

L. Alsdorf, Apabhraṃśa-Studien. AKM XXII 2, pp. 39-56.

Herman

Herman Tieken

Stationsweg 58

2515 BP Den Haag

The Netherlands

00 31 (0)70 2208127

website: hermantieken.com

---

Van: INDOLOGY [indology-bounces@list.indology.info] namens Matthew Kapstein via INDOLOGY [indology@list.indology.info]
Verzonden: donderdag 19 september 2019 0:41
Aan: indology@list.indology.info
Onderwerp: [INDOLOGY] Query on verse forms

Dear friends,

I would be grateful for recommendations of works addressing the manner in which the term gāthā is understood in connection with MIA verse, and analogously on dohā in connection with apabhraMza  and NIA verse. I am particularly looking for works dealing with formal features including meter, rhyme etc. 

with thanks in advance,

Matthew 

Get Outlook for iOS

_______________________________________________
INDOLOGY mailing list
INDOLOGY@list.indology.info
indology-owner@list.indology.info (messages to the list's managing committee)
http://listinfo.indology.info (where you can change your list options or unsubscribe)