Subject: Workshop on Yoga and the Traditional Physical Practices of India
Dear Colleagues,
Daniela Bevilacqua and I are organising a workshop entitled 'Yoga
and the Traditional Physical Practices of India, Influence,
Entanglement and Confrontation' at SOAS, University of London,
8th-10th November 2019. The workshop will take place under the
auspices of the ERC-funded
Haṭha Yoga Project.
The call for papers is attached and pasted below this message. We
would be very grateful if you would share the information with
colleagues you know who may be interested, and/or circulate the call
for papers on other your academic networks.
Best wishes,
Mark Singleton
Senior Research Fellow
Haṭha Yoga Project
Department of Languages and Cultures of South Asia
SOAS, University of London
hyp.soas.ac.uk
ms156@soas.ac.uk
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Yoga and the Traditional Physical Practices of India:
Influence, Entanglement and Confrontation
8th- 10th November 2019, SOAS University of London
Body practices such as physically-demanding āsanas, mudrās and
ṣatkarmas did not emerge out of nowhere. Many of them likely predate
the later synthetic, and profoundly influential, texts of haṭhayoga
from the fifteenth century onwards. For example, the Haṭhapradīpikā
(c. 1450) describes fifteen āsanas of which eight are non-seated,
and later haṭha texts describe many more. But new archaeological and
art-historical evidence, such as the 13th century Mahudi Gate in
Dabhoi, shows that non-seated, complex postures predate these later
texts of haṭhayoga by at least two centuries.
Furthermore, postures represented on temple pillars in Hampi suggest
that the artists were inspired by other body-practitioners alongside
yogis/fakirs (e.g. acrobats, wrestlers and dancers). If, as such
sculptures suggest, these various figures shared the temples’ spaces
(perhaps especially during festival times), with yogis, it is
possible that the yogis learned postural practices from other
classes of practitioner, and introduced them into their own
repertoires as yogāsanas or mudrās, either for pragmatic reasons
(i.e. to catch the attention of pilgrims) or spiritual ones (i.e. to
push their bodies further into extreme forms of tapas). Similarly,
wandering sadhus are likely to have come into contact with other
physical disciplines, such as martial arts and military training,
especially around the time of the emergence of militarized yogi
ākhāṛas.
Could it be that the yogic physical practice, in its development
from the eleventh to the nineteenth century, drew widely on a
variety of extra- or para-yogic body disciplines? Are the advanced
āsanas, bodily mudrās, ṣatkarmas, and other innovative physical
practices, the product of bodies of knowledge and practice that are
not themselves strictly ‘yogic’? Conversely, are analogues to, or
borrowings from practices apparent in other yogic and non-yogic
traditions? For example, did the contortions of acrobats have
soteriological or therapeutic purposes, beyond entertainment? Did
martial arts like kalaripayattu and varmakkalai incorporate yogic
physical practices into their training, combat or therapeutic
aspects? And beyond coincidences of physical shape or questions of
direct causal influence, can we point to a shared South Asian
environment of ‘techniques of the body’ within which a range of
disciplines, may have developed?
This workshop aims to bring together specialists on the various
traditional physical practices of India. We are seeking papers that
offer textual, historical or anthropological analysis of physical
disciplines such as kushti; mallakhamb; silambam; kalarippayattu and
other martial arts; military training (including Persian/Mughal);
various Indian dances; acrobatics and contortionism; and any other
traditional forms of Indian body disciplines, from the oldest
evidence of physical training in the Dhanurveda and the Viṣṇu and
Agni Pūrāṇas, to early-modern and contemporary body practices.
The workshop will have two keynote speakers (to be confirmed). Each
speaker will have 30 minutes for the presentation and 15 minutes of
discussion. The conference will end with a public roundtable
discussion. Travel, accommodation and meals will be covered by the
Hatha Yoga Project.
Please send proposals of 500 words and a list of relevant
publications to Daniela Bevilacqua (
db28@soas.ac.uk) and Mark
Singleton (
ms156@soas.ac.uk).
Deadline for proposals: October 31st, 2018.