While I cannot directly answer your question, Johannes, I can suggest you consider these other texts to understand the example:

tathā hyaviditārya<artha - bhāmatī; ārya - \textenglish {em}>deśajanabhāṣārtho draviḍo nagaragamanodyato rājamārgābhyarṇaṃ devadattamandiramadhyāsīnaḥ pratipannajanakānandanibandhanaputrajanmā vārttāhareṇa saha nagarasthadevadattābhyāśamāgataḥ paṭavāsopāyanārpaṇapuraḥsaraṃ diṣṭyā vardhase devadatta putraste jāta iti vārttāharavyāhāraśravaṇasamanantaramupajātaromāñcakañcukaṃ
vikasitanayanotpalamatismeramukhamahotpalamavalokya devadattamutpannapramodamanumimīte pramodasya ca prāgabhūtasya tadvyāhāraśravaṇasamanantaraṃ prabhavatastaddhetutām~| na cāyamapratipādayan harṣahetumarthaṃ harṣāya kalpata ityanena harṣaheturartha ukta iti pratipadyate~| harṣahetvantarasya cāpratīteḥ putrajanmanaśca taddhetoravagamāttadeva vārttāhareṇābhyadhāyīti niścinoti~| bhāmatī 1.1.4:131.12-7.

yo hi paridṛṣṭacaitrapraharṣahetuputrajanmā putrapadāliptakuṅkumāṅkitapaṭapradarśakena vārtāhāreṇa saha caitrasakāśaṃ gataḥ tasya diṣṭyā vardhase caitra putraste jāta iti vārtāhāravyāharaśravaṇasamanantaraṃ samunmīlatpulakasakalakalevaramutphullagaṇḍayugalamullasitanayanayugalaṃ caitramavalokayatastatpramodaliṅgena sa eva nūnamanena madavalokitaḥ sutasambhavaḥ pramodaheturetasmādvākyādadhigata iti pariśeṣāvadhāraṇopapatteḥ~| tattvapradīpikā (citsukhī) 88.5-9, NSP 1915 edition.

tathā hi dramilaḥ pratipannadevadattānandanibandhanaputrajanmā devadattagṛhādeva varttāhareṇa saha devadattābhyāśamāgataḥ paṭavāsopāyanārpaṇapuraḥsaraṃ diṣṭyā vardhase devadatta putraste jāta iti varttāharavyāhārasamanantaramunmīlatpulakakapolamutphullalocanayugalamatismeramukhamahotpalamavalokya devadattamutpannapramodamanumimīte~| tatpramodahetuśca putrajanmavijñānam anyasya tadānīmanupalabdheḥ~| vacanoccāraṇānantaraṃ ca tadbhāvādvacanasya tatra hetubhāvamavagacchati~| na cāsamarthasyāsāviti sāmarthyamavaiti~| nyāyakaṇikā (in forthcoming edition of vidhivivekaḥ, nyāyakaṇikā and super commentaries = 280.9-16 Pandit edition)

ṛṣīiputraparameśvaraḥ comments on a variant reading of nyāyakaṇikā: vaṭurvyutpitsurmāṇavakaḥ~| vāsopāyanā[rpaṇapuraḥsaramiti]~| alaktakasaṃsiktakumārapādatalāṅkitaṃ vāso varttāharasyopāyanaṃ dramileṣviti prasiddham~| mahotpalaṃ padmam~| pramado [harṣaḥ]~| juṣadhvaṅkaraṇī (in forthcoming edition of vidhivivekaḥ, nyāyakaṇikā and super commentaries).

The bhāmatī and nyāyakaṇikā texts, and also tattvapradīpikā, elaborate maṇḍana’s argument: tathā harṣaviṣādāśvāsaprayojanebhyaḥ tattvākhyānebhyo harṣādinimitteṣu bhavati vyutpattiḥ~| yathaiva hi pravṛttiviśeṣadarśanādviśiṣṭapravṛttipratyayastannimittapratyayo vānumīyate hetvantarābhāvācchabdānantaryācchabdasya tatra sāmarthyaṃ kalpyate tathā harṣādyupalabdheḥ harṣādinimittapratyayānumānam~| śabdānantaryācca śabdasya tatra sāmarthyakalpanā~| pramāṇāntareṇa ca putrajanmano harṣanimittasya tasyāvagatatvādanyasyābhāvāt putraste jāta itīdaṃ vākyamāptena tatra putrajanmani prayuktamiti pratipadyate~| putrajanmaiva cāsmādvākyādanena pratītamityavadhārayati~| tadevaṃ prayogapratyayābhyāmasminnarthe vākyasya sāmarthyaṃ pratipadyate~| brahmasiddhiḥ 25.12-20


Elliot Stern


On 09 Jan  2018, at 19:21, Johannes Bronkhorst via INDOLOGY <indology@list.indology.info> wrote:

Dear all,

 

This announcement reminds me of an expression in the Sarvadarśanasaṃgraha that I have difficulty understanding. On p. 418 of Abhyankar's edition (line 16.298) it mentions "showing a cloth with the imprint of the son's foot" (putrapadāṅkitapaṭapradarśanavat) in the context of announcing the birth of a son. Does this refer to a known custom in India?

 

Johannes Bronkhorst


On 9 Jan 2018, at 21:22, Julia Hegewald via INDOLOGY <indology@list.indology.info> wrote:

Dear friends and colleagues,

this is to inform you about a conference on representations of feet, foot imprints and shoes in Asian and Islamic art to be held at the University of Bonn in April 2018. Further details and the abstracts can be found on our webpage which will be updated regularly as we approach the dates of the conference:
 

A provisional timetable can be found below and attached. All are welcome to attend.

In case you have fascinating material on foot images from an Asian or Islamic context and would like a chapter to be considered for inclusion in our extended conference publication, then please get in touch with me directly.

With kind regards,

Julia Hegewald.


In the Footsteps of the Masters:

Footprints, Feet and Shoes as Objects of Veneration in the Arts of Asia

 

 

International conference

Department of Asian and Islamic Art History (AIK), The University of Bonn

Prof. Dr. Julia A. B. Hegewald

19th to 21st April 2018

 

 

 

Provisional Timetable

 

 

Thursday, 19th April 2018

From 16:00: tea

17:00-18:30: keynote address           Prof. Dr. Susan L. Huntington, Columbus

                                                          Footprints in the Early Buddhist Art of India:

An Examination of Art Historical Methodology

 
 

Friday, 20th April 2018

10:00-11:00                                       Buddhist footprints from Nepal and Tibet:

                                                          Prof. Dr. Gudrun Bühnemann, Wisconsin-Madison

                                                          The Feet of Mañjuśrī

 

                                                          Dr. Elisabeth Haderer, Hamburg and Bonn
                                                          Enlightened Presence—On the Representation of

Footprints in Tibetan Buddhist Painted Scrolls

 

11:00-11:30 Coffee break

11:30-12:30                                       Jaina foot imprints in India:

Prof. Dr. Nalini Balbir, Paris

                                                          Religious Issues Regarding the Pādukās of Jain Teachers

 

                                                          Prof. Dr. Julia A. B. Hegewald, Bonn
                                                         
Foot Images (Pādukās) as Multivariate Symbols in Jaina

Religious Practices in India

 

12:30-14:30 Lunch break

14:30-16:00                                       Hindu footprints and Lingayat sandals from India:

                                                          Dr. Jutta Jain-Neubauer, New Delhi and Berlin
                                                          Feet and Footmarks in Indian Culture and their Visual 
Representation


                                                          Nick Barnard, London
                                                          Footprints of Hindu Deities in Indian Jewellery


Prof. Dr. Tiziana Lorenzetti, Rome

                                                          The Cult of Footwear in the Liṅgāyat Tradition:

Peculiarities and Symbologies

 

16:00-16:30 Tea break

 

16:30-17:30                                       Buddhist foot imprints in Southeast and East Asia:

                                                          Dr. Sarah Shaw, Oxford

                                                          The Buddha’s Footprint and the Southeast Asian Imaginaire

 

                                                          Dr. Claudia Wenzel, Heidelberg

                                                          The Buddha’s Footprints in China

 
 

Saturday, 21st April 2018

10:00-11:00                                       Feet and sandals in the Islamic world (5 papers):

                                                          Prof. Dr. Lorenz Korn, Bamberg
                                                          
Footprints as Relics and as Symbols of Veneration in Islamic Art

 

                                                          Dr. Deniz Erduman-Calis, Munich
                                                         
Kadem-i Saadet—Foot Imprints of the Prophet

Muhammad in the Collection of the Topkapi Palace Museum in Istanbul

 

11:00-11:30 Coffee break              

           

11:30-13:00                                       Iman R. Abdulfattah, New York and Bonn         
                                                         
Footprints of the Prophet as Modes of Dissemination and Modes of Control

 

                                                          Waheeda Bano Baloch, Jamshoro and Bonn        
                                                          
The Holy Footprints Across Sindh (Pakistan)

           

                                                          Karin Adrian von Roques, Bonn
                                                         
Footprints of the Prophet Mohamed (pbuh) in Contemporary Art 


<2018_01_09_Provisional Timetable_short_Public.pdf>




Prof. Dr. Julia A. B. Hegewald
Professor of Oriental Art History
Head of Department
University of Bonn
Institute of Oriental and Asian Studies (IOA)
Department of Asian and Islamic Art History
Adenauerallee 10
53113 Bonn
Germany

Tel. 0049-228-73 7213
Fax. 0049-228-73 4042



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