List of Contributors vii
Preface (Kesavan
Veluthat & Donald R. Davis, Jr.) ix
.
1. M.G.S. Narayanan: The Irreverent Historian
Kesavan Veluthat 1
Part I:
Kerala History and Culture
.
2. How did Paraśurāma Come to Raise Kerala?
Christophe Vielle 15
.
3. From Nadu to Swarupam: Political Authority
in Southern Kerala from the tenth to the thirteenth Centuries K.K. Ganesh 33
.
4. Changes in Land Relations during the
Decline of the Cēra State
Manu
V. Devadevan 53
.
5. Jaṭāyuvadham in Kerala’s Sanskrit
Theatre Kūṭiyāṭṭam Heike Moser 81
.
6. Satire as Apology: The Puruṣārtthakkūttŭ
of Kerala
Donald R. Davis, Jr.
93
.
7. Implications of the Ritual Programme and
Context of Āṟāṭṭupuḻa Pūram Rich Freeman
111
Part II:
Epigraphy, Connected History, and Conceptual Frameworks
.
8. Social Structure and Commercial Pursuits
in Early India: Reflections on Some Conceptual Issues Krishna Mohan Shrimali 147
.
9. The Image of the Scribe in Early Medieval
Sources Daud Ali 167
.
10. Community, Caste and Region in Odisha: The
Formative Period
Bhairabi
Prasad Sahu 189
.
11. Varṇa and Jāti in Ancient
India: Some Questions
Upinder
Singh 205
.
12. Borrowed Words in an Ocean of Objects: Geniza
Sources and new Cultural Histories of the Indian ocean Elizabeth Lambourn 215
.
13. Political Compacts Made by Local Chiefs during
the Later Chola Period Noboru Karashima 243
.
14. A Copperplate Inscription of Krishnadevaraya’s
Time: Its Historical Implication Y. Subbarayalu
251
.
15. Historical Memory and statecraft in late
Medieval south India: a study of Krishnadeva raya’s Campaign of ad 1517 Venkata Raghotham 261
.
16. Delhi’s Capital Century (1911–2011):
Understanding the transformation of the City Nayanjot
Lahiri 277
Research
Publications of M.G.S. Narayanan 297
Index 303
_______________________________________________I would add on the topic:Donald R. Davis, 'Satire as Apology: The Puruṣārtthakkūttŭ of Kerala', In: Kesavan Veluthat & Id. eds, Irreverent History: Essays for M.G.S. Narayanan, Delhi: Primus Books, pp. 93-109.Two satirical theatre-genres (rūpaka) :
• the prahasana, of which the Bhagavadajjuka (which brings into ridicule the doctrines of Buddhism) is (like the Mattavilāsa) another good example:cf. - K.K. Malathi Devi, Prahasanas in Sanskrit Literature and Kerala Stage, Delhi: Nag Publishers, 1995.
- Paulose, K.G., Bhagavadajjukam in Kūṭiyāṭṭam: The Hermit and the Harlot - the Sanskrit farce in Performance, Delhi: New Bharatiya Book Corp. 2000.
Note the transl. of the farce by J.A.B. Van Buitenen in Mahfil (1971): jstor.org/stable/40874441• the bhāṇa (satirical monologue)
cf. for example The Quartet of Causeries, by Śyāmilaka, Vararuci, Śūdraka & Īśvaradatta, translated by Csaba Dezső & Somadeva Vasudeva, Clays Sanskrit Library 2009.
In the philosophical debate, there are a few satirical expressions to find in :J.-M. Verpoorten, 'Quelques tournures péjoratives dans le débat philosophique en sanskrit', IT 28, 2002, pp. 267-79. http://www.indologica.com/volumes/vol28/vol28_art13_VERPOORTEN.pdfAbout the jaina parodical Dhuttakkhāṇa of Haribhadra referred to by A. Ollett, see Haribhadra, Ballade des coquins, présentation et traduction du prakrit par Jean-Pierre Osier et Nalini Balbir, Paris: GF Flammarion, 2004).Le 9 janv. 2015 à 01:23, Jan E.M. Houben <jemhouben@gmail.com> a écrit :_______________________________________________Dear List Members,In order to pay a tribute to freedom of critical expression my Master course "Sanskrit, scientific and philosophical lingua franca" will in the following weeks, as it did yesterday, focus onSatirical criticism in Sanskrit literature and philosophyWithout trying to be in any way complete I propose that the work of the following authors can be regarded as, to some extent at least, belonging in this category:Bhartrhari the poet/subhasita collector, Jayarasi, Ksemendra.Part of Bhavabhuuti's Maalatiimaadhava reads as satirical criticism on Kapaalikas.Now my question: ARE THERE ANY OTHER STRONG (extensive) EXAMPLES?Satire in Indian literature? WHAT is usually criticized?Satire in Indian philosophy? Criticism of WHAT? (Tattvopaplavasimha: of all philosophical-religious "truths" without trying to establish one's own).Writing satirical criticism in Sanskrit in a manuscript is not the same as expressing such criticism in the most accessible "language" thinkable: comics published in a weekly.HOW was satirical criticism in ancient, classical India RECEIVED?Did anyone suffer on account of critical views expressed in Sanskrit? Or only when it wasexpressed in a more popular language like Hindi (Kabir)?Best,jan houbenProf. Dr. Jan E.M. Houben,
Directeur d Etudes « Sources et Histoire de la Tradition Sanskrite »
Ecole Pratique des Hautes Etudes, Sciences historiques et philologiques,
Sorbonne – 54, rue Saint-JacquesCS 20525 – 75005 Paris – France.
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