1. In fact it has been applied to the story of Ramayana too.
 
2. In Das'aroopaka too this comes as part of discussion of Vastu, Vastu in general and not Vastu of Rupaka alone. Vastubhedas such as Prakhyaata, Utpaadya and Mis'ra also , though discussed in Das'aroopaka are applied to the Vastus or Itivrittas of S'ravyakaavyas als.
 
3. S'aakuntalam is not khyaatavrittam. It is mis'ravrittam.
 
4. Whether the Panchasandhi structure helps in understanding Vastus of Roopakas alone or it applies to Vastus of other narrative literary works also, can be checked by literary scholars. There is nothing inside the theory which is roopaka-specific.
 
5. Comparable to this in the western poetics is the  five part structure of exposition, rising action, climax/crisis, falling action, denoument/resolution  also in its origin comes from the theory of Drama. Is it not applied/applicable to other narratives?


On Tue, Sep 2, 2014 at 11:08 PM, Dipak Bhattacharya <dipak.d2004@gmail.com> wrote:
Please forgive this intrusion. I just wonder if Dhananjaya's structure holds good for story or only for drama. naa.taka.m khyaatavrtta.m syaat pa;ncasandhisamanvitam is so well known that it made me inquisitive.
Best
DB


On Tue, Sep 2, 2014 at 10:21 PM, Nagaraj Paturi <nagarajpaturi@gmail.com> wrote:
Dear Harsha,
 
https://archive.org/details/Dasarupaka has English translation of Dhananjaya's Das'aroopaka which has an elaborate discussion on how stories are structured. It is called Pancha Sandhi structure. Each Sandhi is made up of a combination of an Arthaprakriti and a Kaaryaavastha.
 
Kaaryaavasthas: aarambha, yatna, praaptyaas'a, niyataapti and phalaagama/phalayoga.
 
Arthaprakritis: beeja, bindu, pataaka, prakaree and kaarya
 
Sandhis :mukha, pratimukha, garbha, avamars'a and upasamhriti/nirvahaNa
 
 
There are other ways of analysing plot too in other books of Indian poetics.
 
Best wishes to your student.
 
Regards,
 
Nagaraj
 


--
Prof.Nagaraj Paturi
Hyderabad-500044

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--
Prof.Nagaraj Paturi
Hyderabad-500044