Dear list members,When examining the mnemotechnics of Vedic recitation one should begin, of course, with Frits Staal's work, beginning with his early work on Nambudiri Vedic recitation, his audio and film recordings of these recitations, and culminating in his last book, Discovering the Vedas.Soon, I will be posting a final call for contributions to a memorial volume in honor of Frits Staal, the planned deadline for papers at the moment being, I believe, October 2013, with a publication date roughly a year later.I urge scholars who wish to contribute to notify us as soon as possible. I am in the process of inviting more contributions from Vedicists and Frits' friends, in particular.Best wishes,George ThompsonOn Sun, Jun 16, 2013 at 8:08 AM, Dipak Bhattacharya <dbhattacharya200498@yahoo.com> wrote:
Three postures āyāma, viśrambha and ākşepa corresponding to the pronunciation ofthe acute, grave and circumflex were taught by Ṛgvedic ācāryas along withpractical demonstration at least till the sixties.These were universal that is to say have been adopted by the Ārya Samājis too. In factmy experience is from the Ārya Samāja. See the RV Prātiśākhya 3.1. But theverse will give no idea of the rigorous training. Maharashtrian and Arya Samājitrainers of North India are not symbiotically related, at least not more thanRoman Catholics and Presbyterians.The places of articulation are variously demonstrated but not through dia-grammes as in the Universities. At least a few decades ago Myanmar hadkept alive a method of demonstration through the palms and fingers. Theseare not unknown in India.As far as I remember this topic came to be discussed in this forum a few years ago.BestDB
From: Viktoria Lysenko <vglyssenko@yandex.ru>
To: indology@list.indology.info
Sent: Sunday, 16 June 2013 4:22 PM
Subject: [INDOLOGY] mnemotechnics and visualisation in Indian traditional recitation techniques
_______________________________________________Dear colleagues, especially those of you who had undergone a traditional brahmanic education,I would like to know whether any visual images, or interiour visualization techniques are involved in the traditional memorisation of Vedic or other texts? Or this memorisation is purely acoustic and dyachronic? How the memory of traditional pandita is organized, is there any spacial structurization?I ask these questions in order to better understand the role of oral tradition and alphabetic writing in arising of "atomistic approach" to speech in indian phonetics and grammar.May be, you can suggest some works which could help me.Thank you in advance!--Victoria Lysenko, dr.hab.philos.Head, Department for Oriental philosophy studiesInstitute of Philosophy, Russian Academy of SciencesMoscow, Volkhonka, 14Professor, Russian State University for HumanitiesRussia
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