[INDOLOGY] Correction and updates of Nirnay Sagar Fonts

Krishnaprasad G krishnaprasadah.g at gmail.com
Tue Feb 19 03:17:56 UTC 2019


Dear Sri Madhav Deshpande Acharya Ji
Thanks a lot for providing the images of ट्त्र, and personally l took like
ट्त्र itself and not the hanging one.

This we can change in rules. If 2 or 3 seconds pause is given at the time
of typeset we will get ट्त्र otherwise we will get the hanging one.
could you please suggest how द्विट्सु  is written in old MSS
Thanks a lot

Krishna Prasad
Whatsapp Number
963282891


On Tue, Feb 19, 2019 at 7:45 AM Madhav Deshpande <mmdesh at umich.edu> wrote:

> Dear Krishnaprasad Ji,
>
>      I don't have access to a manuscript of Ṣaṭtriṃśattattvasandoha, but
> here is the title page of the printed book that does not use a cluster of
> "tra" hanging below "ṭ", but prints just "ṭ" with a virāma sign.
>
> [image: image.png]
> On the other hand, the title page of the edition in the Kashmir Text
> Series, uses such a vertical cluster:
>
> [image: image.png]
> However, it looks somewhat odd in its appearance to me.
>
> Madhav M. Deshpande
> Professor Emeritus
> Sanskrit and Linguistics
> University of Michigan
> [Residence: Campbell, California]
>
>
> On Mon, Feb 18, 2019 at 10:12 AM Madhav Deshpande <mmdesh at umich.edu>
> wrote:
>
>> Dear Krishnaprasad Ji,
>>
>>      Great to see your progress.  A comment.  Some horizontal lines, like
>> that न, look thicker than the top line and lines in some other characters.
>> The thickness should be uniform.  Similarly, the knot for न, म, भ etc.
>> should look exactly the same, and it should look the same whether it
>> appears in full or half forms of these characters.
>>
>> Madhav M. Deshpande
>> Professor Emeritus
>> Sanskrit and Linguistics
>> University of Michigan
>> [Residence: Campbell, California]
>>
>>
>> On Mon, Feb 18, 2019 at 9:58 AM Krishnaprasad G via INDOLOGY <
>> indology at list.indology.info> wrote:
>>
>>> Dear all
>>> Some more characters.
>>> Thanks
>>> KP
>>>
>>> On Thu 27 Dec, 2018, 8:11 PM Madhav Deshpande, <mmdesh at umich.edu> wrote:
>>>
>>>> Dear Krishnaprasad Ji,
>>>>
>>>>      Thank you so much for this download link.  It is a wealth of
>>>> useful resources.  With best regards,
>>>>
>>>> Madhav M. Deshpande
>>>> Professor Emeritus
>>>> Sanskrit and Linguistics
>>>> University of Michigan
>>>> [Residence: Campbell, California]
>>>>
>>>>
>>>> On Wed, Dec 26, 2018 at 7:22 PM Krishnaprasad G <
>>>> krishnaprasadah.g at gmail.com> wrote:
>>>>
>>>>> Thanks, everyone for supporting me giving feedbacks.
>>>>>
>>>>> You can download from here.
>>>>> https://yadi.sk/d/rDIogm1J3WjKp4
>>>>>
>>>>> On Thu, Dec 27, 2018 at 8:43 AM Harry Spier <
>>>>> hspier.muktabodha at gmail.com> wrote:
>>>>>
>>>>>> Dominink Wujastyk wrote:
>>>>>>
>>>>>>>  modern font technology can help.  OpenType includes some
>>>>>>> "alternates" or "contextual alternates" features that allow the user (or
>>>>>>> auto-select) to select from multiple versions of a glyph.  But I'm sure you
>>>>>>> know this.  And it's only certain advanced text-setting programs like TeX
>>>>>>> that allow one to access such features easily (e.g., through
>>>>>>> fontspec <https://ctan.org/pkg/fontspec?lang=en>, manual part IV).
>>>>>>>
>>>>>>
>>>>>> I use the FontCreator program from Hi-Logic which allows you to
>>>>>> create open type "contextual features".  I've used this feature. I use the
>>>>>> professional product which retails for $199.00 but their website says that
>>>>>> the Home edition for $79.00 also has this feature (but the home edition
>>>>>> cannot be used for commercial purposes).  The program only works on windows.
>>>>>>
>>>>>>
>>>>>>>
>>>>>>> Such questions make me wish to consult Naik's classic work *Typography
>>>>>>> of Devanagari <http://www.worldcat.org/oclc/6241715>* (3 vols, 1971
>>>>>>> rev. ed.), but I've never had access to a copy of this rare publication.
>>>>>>>
>>>>>>
>>>>>> I have this book. (Unfortunately its in storage in New York). Its
>>>>>> been 20 years since I looked at it but I recall it was absolutely
>>>>>> fascinating.  As I recall  one volume gives examples of devanagari printing
>>>>>> from the earliest printed editions up till fairly modern times (when it was
>>>>>> published), another volume  describes the authors ideas for a devanagari
>>>>>> typewriter and the third volume focuses on some esoteric ideas of the
>>>>>> author.  I can't recall the details.
>>>>>>
>>>>>> Harry Spier
>>>>>>
>>>>>>
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