Re: [INDOLOGY] Statement on sthāyibhāva

Antonio Ferreira-Jardim antonio.jardim at gmail.com
Fri Aug 16 13:39:22 UTC 2019


Dear Harry,

A copy is directly available on Dr Tieken's website:
https://hermantieken.files.wordpress.com/2013/02/rasa.pdf

Kind regards,
Antonio

On Fri., 16 Aug. 2019, 23:17 Harry Spier via INDOLOGY, <
indology at list.indology.info> wrote:

> Does anyone have a pdf of this article by Herman Tieken.  "On the Use of
> Rasa in Studies of Sanskrit Drama" IIJ 43/2 (2000), pp. 115-138.
>
> Thanks,
> Harry Spier
>
> On Fri, Aug 16, 2019 at 2:31 AM Tieken, H.J.H. <
> H.J.H.Tieken at hum.leidenuniv.nl> wrote:
>
>> Dear Harry, I do not have the books at hand. However, you might have a
>> look at an article of mine, titled "On the Use of Rasa in Studies of
>> Sanskrit Drama" IIJ 43/2 (2000), pp. 115-138. In this article I show, among
>> other things, that in the Natyasastra the distinction between bhavas and
>> sthayibhavas is less stable than is often assumed. You may find a pdf of
>> the article on my website.
>> Herman
>>
>> Herman Tieken
>> Stationsweg 58
>> 2515 BP Den Haag
>> The Netherlands
>> 00 31 (0)70 2208127
>> website: hermantieken.com
>> ------------------------------
>> *Van:* INDOLOGY [indology-bounces at list.indology.info] namens Harry Spier
>> via INDOLOGY [indology at list.indology.info]
>> *Verzonden:* donderdag 15 augustus 2019 22:01
>> *Aan:* Indology
>> *Onderwerp:* [INDOLOGY] Statement on sthāyibhāva
>>
>> Dear list members,
>>
>> On page 23 of Aesthetic Rapture by Masson and Patwardhan , their work on
>> chapter 6 of Nāṭyaśāstra by Bharata is given a definition of sthāyibhāva
>> .
>> "Now the sthāyibhāva is a state of mind which because it is more deeply
>> felt, dominates all other emotions.  It belongs to both the character and
>> to the spectator".
>>
>> But the authors don't give a textual reference for this statement.  Can
>> anyone give me a textual reference that supports the part of the
>> definition: ". . . It belongs to both the character and to the
>> spectator".
>>
>> Thanks,
>> Harry Spier
>>
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