Re: [INDOLOGY] Statement on sthāyibhāva

Nagaraj Paturi nagarajpaturi at gmail.com
Fri Aug 16 08:02:26 UTC 2019


Now the sthāyibhāva is a state of mind which because it is more deeply
felt, dominates all other emotions.  It belongs to both the character and
to the spectator

is not a translation , nor paraphrasing of a part of a Sanskrit text.

It is an explanatory sentence.

It belongs to both the character and to the spectator

is the restatement of the Rasanishpatti explanations in which the question
of yannishThah ?  is discussed.

 Rasa exists in both anukaarya = character, saamaajika/ prekshaka  =
spectator is one of the positions taken in this regard.

But in the case of sthaayeebhaava its existence in both anukaarya and
saamaajika / prekshaka is not disputed.



On Fri, Aug 16, 2019 at 1:24 PM Nagaraj Paturi <nagarajpaturi at gmail.com>
wrote:

> Vol I is available at
>
>
> https://poeticgenre.files.wordpress.com/2015/07/drama-sanskrit-aesthetic-rapture.pdf
>
>
> Vol II at
>
> https://archive.org/details/AestheticRaptureVol.IIJ.L.MassonM.V.Patwardhan
>
>
> On Fri, Aug 16, 2019 at 12:02 PM Tieken, H.J.H. via INDOLOGY <
> indology at list.indology.info> wrote:
>
>> Dear Harry, I do not have the books at hand. However, you might have a
>> look at an article of mine, titled "On the Use of Rasa in Studies of
>> Sanskrit Drama" IIJ 43/2 (2000), pp. 115-138. In this article I show, among
>> other things, that in the Natyasastra the distinction between bhavas and
>> sthayibhavas is less stable than is often assumed. You may find a pdf of
>> the article on my website.
>> Herman
>>
>> Herman Tieken
>> Stationsweg 58
>> 2515 BP Den Haag
>> The Netherlands
>> 00 31 (0)70 2208127
>> website: hermantieken.com
>> ------------------------------
>> *Van:* INDOLOGY [indology-bounces at list.indology.info] namens Harry Spier
>> via INDOLOGY [indology at list.indology.info]
>> *Verzonden:* donderdag 15 augustus 2019 22:01
>> *Aan:* Indology
>> *Onderwerp:* [INDOLOGY] Statement on sthāyibhāva
>>
>> Dear list members,
>>
>> On page 23 of Aesthetic Rapture by Masson and Patwardhan , their work on
>> chapter 6 of Nāṭyaśāstra by Bharata is given a definition of sthāyibhāva
>> .
>> "Now the sthāyibhāva is a state of mind which because it is more deeply
>> felt, dominates all other emotions.  It belongs to both the character and
>> to the spectator".
>>
>> But the authors don't give a textual reference for this statement.  Can
>> anyone give me a textual reference that supports the part of the
>> definition: ". . . It belongs to both the character and to the
>> spectator".
>>
>> Thanks,
>> Harry Spier
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>
>
> --
> Nagaraj Paturi
>
> Hyderabad, Telangana, INDIA.
>
>
> Director,  Inter-Gurukula-University Centre for Indic Knowledge Systems.
> BoS, MIT School of Vedic Sciences, Pune, Maharashtra
>
> BoS, Chinmaya Vishwavidyapeeth, Veliyanad, Kerala
>
> Former Senior Professor of Cultural Studies
>
> FLAME School of Communication and FLAME School of  Liberal Education,
>
> (Pune, Maharashtra, INDIA )
>
>
>
>


-- 
Nagaraj Paturi

Hyderabad, Telangana, INDIA.


Director,  Inter-Gurukula-University Centre for Indic Knowledge Systems.
BoS, MIT School of Vedic Sciences, Pune, Maharashtra

BoS, Chinmaya Vishwavidyapeeth, Veliyanad, Kerala

Former Senior Professor of Cultural Studies

FLAME School of Communication and FLAME School of  Liberal Education,

(Pune, Maharashtra, INDIA )


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