Krishna's hallIsaka dance

[N. Ganesan]

>On the basis of one or two or even a few linguistic terms, it is not only
>unfair to  decide upon the origin of drama/natya but is a wrong
>methodology to explore the origins.

Thanks, Prof. Gupt. On the other hand, this is the first time
a secondary dance, hallIsaka, is derived from Dravidian.
I agree that few more important words have to be shown
that way.

Regards,
N. Ganesan



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